Reviews Zarek 02
IGNAZ SCHICK – TABIT
Ignaz Schick is a new star on the front of noise end electronics.
Frans de Waard, Vital Weekly, NL
I did not know yet that you would be taken serious with this kind of music in academic circles.
Black, Germany
This recording does demand your attention from the seconds you hit Play. Just enjoy the noise in all its glory.
Vils Santo, Incursion, Canada
In contrast to many other noise artists you can clearly feel the Ignaz Schick’s will of shape. He struggles with the noise and manually forces it into form and he brings in physical and tachistic as well as improvisational dimensions. It occurs the idea of seeing Ignaz Schick as a man of the electronic “informal”.
Rigobert Dittmann, Bad Alchemy, Germany
Quite good – a funny grim solo turn. Tabit is a dark and urban recording. Maybe here’s your ideal soundtrack for relaxing after work.
Ed Pinsent, The Sound Projector, UK
Again moving between buzzes, rumbles, squishes, static and loops, the high frequencies means that the sounds are at times earsplitting. Radio programming can also be perceived, but it’s sometimes so indistinct that you may be tempted to try to fine-tune the station.
Ken Waxman, Jazz Weekly, USA
This work is very interesting in its sound structure.
Stephan Franz, Heimdallr, CH
If you dive into this sing-sang of white-noise like hissing sounds you can reach another state of consciousness through the pressure of sound.
Till Kniola, Auf Abwegen, Germany