Zarek 02
Ignaz Schick – Tabit
Wires, piezos, contact mics, digital & analog feedback, mixingboard noises & hiss, overdriven bassfilters, distorted no-input, fastforwarded footage, extreme high frequency manipulation, distorted ground, ...
Mainly the pieces are about investigating the possibilties of using samples or acoustic footage as a trigger for more abstract structures and form
CD-R (Zarek 02) • Euro 12.- • Best.-Nr. 1024